One day in the fifteenth century, the Turkish potentate of Babylonia decided to send gifts to the greatest ruler in Italy. He consulted his counselors and men who had traveled widely in Europe, asking them who best deserved this honour. They agreed that one Italian court outshone the rest and that his court must surely be the home of Italy’s mightiest sovereign. They did not name Milan, the home of the proud Sforza, nor Florence, the city of the clever Medici. The most magnificent court in Italy, they said, was at Ferrara, the capital of the dukes whose family name was d’Este and to Ferrara the Turkish potentate’s ambassadors carried the presents. Ferrara was small, a mere toy state in comparison to Milan or Florence. Actually, it was not an independent state at all. Like several of its neighbours in central Italy, Ferrara had for centuries belonged to the Church. Its duke paid an annual tribute to the pope for the privilege of governing his family dukedom himself. Even so, the Turkish potentate’s advisers had made no mistake. No court in Italy could match the splendor of the court commanded by the dukes of little Ferrara. During the Renaissance, there were many such small cities that won fame. It all depended on their rulers — the ambitious dukes or counts or sometimes, commoners who had gained riches and power. With their money, they, too, hired fine artists, sculptors and architects; they, too, collected manuscripts and things of beauty. So the small cities were as much part of the new age as Florence or Milan. In that new age, Ferrara was a place of old fashioned grandeur. Its dukes, the d’Estes, had come to power in the last days of chivalry. In 200 years, the d’Estes had turned Ferrara into a …
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Milan’s most important business street had no displays of velvet cloaks, bright bolts of silk, or cloth-of-gold. It was a dusty, smoky street, made hot by the fires of forges and filled with the din of hammers shaping steel — the Street of the Armourers. Milan made the finest armour in the world. In the Middle Ages, the crusaders came there for chain mail and it was said that entire armies were outfitted in a few days. Later, the fashions of war changed. Knights wore heavy suits of jointed steel plates that covered them from head to toe and elegant helmets, gilded, engraved and topped with plumes. The Milanese armourers became artists at molding and carving metal, their sales men were welcomed in every court in Europe and the Street of the Armourers became busier than ever. Armour was the right specialty for Milan, for the city and its rulers seemed to specialize in everything warlike and violent. The dukes of Milan were iron-fisted tyrants, who loved displays of splendour and sometimes cruelty. They did not hide their power like the cautious Medici in Florence. Indeed, they made a show of their strength and wealth. It discouraged invaders, rivals and over-ambitious relatives. The dukes’ domain was rich and as large as any state in Italy. The fertile plain of Lombardy, which lay between the Apennine Mountains and the Alps, attracted as many would-be conquerors as farmers. The prosperous little Lombard towns that the dukes overpowered were quarrelsome and the noblemen of Lombardy never stopped stirring up revolts. To hold on to their dukedom, the rulers of Milan employed the toughest warriors in Italy. They frightened their subjects with harsh laws, rewarded them with pageants and impressed them with magnificent palaces. Splendour, fear and power — these were the specialties of …
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