Tag Archives: Naples

ON A SULTRY JULY DAY IN 1505, a young law student, Martin Luther, was walking along a country road in Germany when a summer storm blew up. The air grew heavy and black clouds filled the sky. Before Luther could take shelter, thunder began to crash. A bolt of lightning struck the road almost at his feet. Thrown to the ground, he lay shaking, not certain whether he was alive or dead. “Help me, Saint Anne,” he cried, “help me and I will become a monk.” After a moment, Luther’s trembling stopped. He stood up, found that he was not hurt and continued his walk toward Erfurt, the town in which he attended the university. He did not forget his promise to Saint Anne. He spent a week or so thinking and making plans. Then he told his professors that he could come no more to their classes. He sold his books, bade farewell to his friends and went to the monastery of the Augustinian friars and said that it was his wish to become a monk. When Martin’s father, old Hans Luther, heard what his son had done, he was puzzled and angry. Hans had worked hard all of his life. Though his ancestors had been peasant farmers, he had managed to set himself up in a little business. But he was far from rich; he had scrimped and saved to send his son to school and to the university. He had long looked forward to the time when Martin would be a lawyer, a man of standing who would make his parents proud and earn the money to care for them in their old age. Now those plans were ruined. As a monk, Martin would never win fame or riches. Hans was furious and he wrote to Martin …

Through the bustling market-towns of the Low Countries passed the traders, goods and gold of all Europe. Here the luxuries of Asia — spices‚ silks, jewels and perfumes — were exchanged for the practical products of the North — woolen cloth and utensils of iron and copper and wood. In shops and inns, wily Italian shippers and bankers bargained with the solemn, solid merchants from Germany and Flanders — and made the profits that built the Renaissance cities of Italy. In tall-spired cathedrals, in palaces, guildhalls and universities, wandering Italian artists discovered works of art and scholarship as great as any they had known at home. The men of the North had needed no outsiders to teach them about money-making or magnificence. Long before the Renaissance spread across Europe from Italy, they had turned to business, formed the guilds, grown rich and invested their gold in displays of splendour. Flanders was the center of a great cloth-making industry. Germany was the home of expert craftsmen—armourers, goldsmiths and engravers. In Haarlem in the Low Countries, a jack-of-all-trades named Laurent Coster had first thought of using movable carved letters to form words and sentences from which pages could be printed. About 1440, Johann Gutenberg and his assistant Peter Schoeffer had put Coster’s idea to use, made the first printed books and brought about a revolution in learning that changed the history of the world. The northern artists also were inventive and their guildsman patrons kept them as busy as the artists of Italy. Of course, their tastes were not Italian and their paintings and statues, like their ideas, were very different from those in Florence, Milan and Rome. When Masaccio was first teaching the Florentines how to paint figures that “stood on their feet,” the wool merchants of Flanders were buying paintings …

In 1492, young Giovanni de’ Medici bade farewell to his father, Lorenzo the Magnificent and left Florence to take his place in Rome among the cardinals of the church. At sixteen, Giovanni was a nobleman in the court of the pope, a man of influence and power. That was fortunate, for when Giovanni was eighteen, his family’s power collapsed. The Florentines drove the Medici from their city and Giovanni, who had come home for a visit, narrowly escaped being stoned by the citizens who once had cheered him. As he crept out of the city, disguised as a poor friar, he swore that he would one day return in triumph. First, he thought, he must look to his career in the church. Whatever the Florentines did, he was still a cardinal and in the papal court there were many ways for a clever man to rise to greatness. When he had crossed the Tuscan border, Giovanni threw off his humble disguise, put on the crimson robes and red hat that marked him as a “prince of the church” and took the road that led to Rome. The young cardinal was not alone in hoping to make his fortune in Rome. Indeed, the old city teemed with ambitious men of every sort — scholars and scoundrels, diplomats and spies, millionaires and fortune-hunters, priests and professional murderers. Rome had known every sort of splendour and evil. Memories of unmatched elegance and unbelievable cruelty lingered in the ruins of temples and arenas built by ancient emperors. Grim fortress-houses were reminders of an age of violence, when the bloody feuds of rival clans of nobles had turned Rome into a ghost city. Now there were new mansions, palaces and lofty churches. A new magnificence had come to Rome with the gold that poured into …

Milan’s most important business street had no displays of velvet cloaks, bright bolts of silk, or cloth-of-gold. It was a dusty, smoky street, made hot by the fires of forges and filled with the din of hammers shaping steel — the Street of the Armourers. Milan made the finest armour in the world. In the Middle Ages, the crusaders came there for chain mail and it was said that entire armies were outfitted in a few days. Later, the fashions of war changed. Knights wore heavy suits of jointed steel plates that covered them from head to toe and elegant helmets, gilded, engraved and topped with plumes. The Milanese armourers became artists at molding and carving metal, their sales men were welcomed in every court in Europe and the Street of the Armourers became busier than ever. Armour was the right specialty for Milan, for the city and its rulers seemed to specialize in everything warlike and violent. The dukes of Milan were iron-fisted tyrants, who loved displays of splendour and sometimes cruelty. They did not hide their power like the cautious Medici in Florence. Indeed, they made a show of their strength and wealth. It discouraged invaders, rivals and over-ambitious relatives. The dukes’ domain was rich and as large as any state in Italy. The fertile plain of Lombardy, which lay between the Apennine Mountains and the Alps, attracted as many would-be conquerors as farmers. The prosperous little Lombard towns that the dukes overpowered were quarrelsome and the noblemen of Lombardy never stopped stirring up revolts. To hold on to their dukedom, the rulers of Milan employed the toughest warriors in Italy. They frightened their subjects with harsh laws, rewarded them with pageants and impressed them with magnificent palaces. Splendour, fear and power — these were the specialties of …

Lorenzo de’ Medici was far from handsome. His skin was sallow, his eyes had a short-sighted squint and his nose was flat and wide. His voice was high and thin. Like every man in his family, he had the gout. Yet there was grandeur in everything Lorenzo did. He loved art and books, music and poetry and women. He delighted in sports, hunting and galloping across the brown Tuscan hills. He dealt with ambassadors like a prince, his palace was the gathering-place for the great men of Italy and his city won renown for both its scholars and its carnivals. No wonder, then, that people called him Lorenzo the Magnificent. Visitors to Lorenzo’s city found the streets jammed with people, and marveled at the splendid buildings. There were hundreds of shops and houses, dozens of churches and palaces. Even the bridges over the River Arno were lined with little stores and homes. The busiest spot in all the bustling city was the Mercato Vecchio, or the Old Market. This was the gathering-place of shopkeepers, the men who were the smocks and fur caps that marked them as members of the lesser guilds. Here were the grocers with their little booths, the butchers, the fishmongers, the apothecaries and the barbers, who shaved their customers in the midst of the crowd. The most important businessmen met in another square, the Mercato Nuovo, or the New Market. It was not as noisy here and most of the men were dressed in the long dark gowns and bright hoods of the merchants. In the shops and under awnings, the guildsmen displayed the goods they sold to all of Europe — richly dyed wool and Silk, velvet, taffeta, damask, satin and cloth-of-gold. Just off the New Market was the street of the grain-dealers and not …